Few
The ‘Few’, a collection of Art Pieces themed on the contemporary socio political issues is presented by some members of the Anonymous entry. The artists featured in the Anonymous Access Virtual Visual Art Exhibition are:
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Harshana Kumarasiri
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Teran Indika
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Isuru Chaminda
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Kasun Darshana
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Nayani Ruhunage
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Dananjaya Rathnayake

Anonymous Entry’s objective is to consciously contribute to the Sri Lankan Visual Art History. Its vision is to group together anonymously and being anonymous, to experimentally engage in art, while associating with fellow artist, establishing dialogs and discourses, locally and internationally, protecting professional values with a professional discipline. We seek to experiment with new technologies and methods in art making, and contributing to the knowledge production in contemporary art while thoroughly studying new art knowledge’s and theories.

HARSHANA KUMARASIRI
Visual Artist
‘Scaffolding’ is a main instrument used in the construction field as well as to make and change the forms. Its equipped with the special characteristics of joining and the backing. The effect which the ideological and conceptual structures which back the political.

TERAN INDIKA
Visual Artist
Communism, which originated in the West, spread to the East with some complicity. Many of the world's brilliant minds, including those in Sri Lanka, distanced themselves from it. However, the Kandyan period in Sri Lanka holds significant cultural value, as it was the last kingdom. People still hold affection for this former kingdom, which is why modern politicians often reference the concept of a kingdom. In the past, art, religion, and politics were closely intertwined, and Kandyan art continues to be highly valued in contemporary times.
And also the comodification which form the ‘Joycene ’ in the contemporary popular consuming culture has brought the humanity to a pathological end. It hasn’t taken a retrospective glance at the malnutrition food consuming people who fuel that process. I hereby try to present the self which is dissolved in that popular culture from the colors and shapes used in the traditional Sri Lankan murals.
